Art Speaks

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First Fridays in the Exchange is a great way to experience the art of Winnipeg and Canada. Through the opportunity to visit the local galleries and some of the studios of local artists gives one a great insight into the creation of art. I have enjoyed many ‘First Fridays in the Exchange’ but decided to take in my first Art Talk/Walk. The decision was simple as the artist speaking was Andrew Valko. I have written a previous post in regards to Andrew’s work as his work speaks to me and makes those powerful statements in regards to our current cultural condition.

The evening was organized by Sarah Swan who did an excellent job moderating our conversation with Andrew. I recommend reading her article entitled “Artists work of female nudes convey dark societal theme” found in the Winnipeg Free Press on July 2, 2013. In her article she quotes Valko as saying “Some of the nudity in the work is there to support the narrative of the paintings. Through my work, I am making a comment about our cultural practice of objectification rather than becoming just another example of it.” For me the longer I gaze at his painting the more the messages he tries to convey speak to me. Last night Valko indicated that all his works start from an idea and then through his realism and look into the alternate realities often depicted in his pieces. In his works he is not only able to capture that moment in time but gives the viewer an opportunity to create their story about what happened just before and what will happen after. Giving his painting a life of their own beyond the social commentary he is making through his art.

The attention to detail in his paintings, the use of alternate lightening to create warm and cool all on the same canvas help make his pieces breathe with life. His paintings as Sarah Swan stated last night ‘Haunt her’.  The haunting is a result of the message that his works speak to her.

Though the woman in Holiday Inn Afternoon lies on the bed in her bra and see-through panties, her partner, fully clothed, turns his back to her. There is unhappiness, anger, rejection, and loads of consequence. The series about young women undressing for webcams is at first glance as provocative as any soft-porn image. Awash in the blue glow of the computer screen, these young women are supple, voluptuous and brazen. At second glance, the paintings are lonely and sad, making a dark comment about a disturbing cultural trend.

Andrew Valko doesn’t need to apologize for the emotions his works bring to the viewer of his pieces but needs to celebrate the emotions it brings to the individual. His ‘Art Speaks’. What it says to me or Sarah Swan or any of the other people at the Free Press Cafe last night will be different. Without a doubt his Art will be timeless. A recording to some of the social issues and complexities present in our society today. Our longing for love and acceptance but in his pieces that love is not found.

A bonus to the evening was the opportunity to dine with local artist Sue Gordon. Last month I was at her showing at Gurevich Fine Art called ‘Far Country’. Later in the evening I had the opportunity to visit her studio and listen to her speak of the ancient art of creating her pieces through the use of wax. Her tiny studio was packed with admirers of her pieces. I certainly look forward to the time one of her pieces can hang on the wall of my office and then home.

A wish for the evening would have been to have one or two of Andrew’s pieces there to view. Although the images on the screen led to conversation one cannot truly appreciate his attention to detail without seeing the painting in person. Perhaps a visit to Mayberry Fine Art would have been another option as he has a few of his pieces on display there.

I am also a big fan of the Free Press Cafe and love their breakfasts and lunches but the meal was just ordinary. Fortunately, I would have paid just to hear Andrew Valko so any food was a bonus.

 

 

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Happy Birthday Canada

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Happy 146th Birthday Canada. It was a great day to live in the downtown. No need to park your car and you could enjoy the events from the Living Flag. That is me in the far right corner.

living flag

Being at an event like ‘The Living Flag’ truly gets one to appreciate the multi-cultural make-up of Winnipeg and Canada. Some of our proudest and most colourfully decorated citizens displaying all the red and white they could were our ‘New Canadians’. It makes one wonder if that is because those of us that grew up here take for granted the gifts Canada has to offer. As much as I love to travel there is always something great about coming home. Our Parliament Buildings and our history of accepting the diversity of our citizens is certainly something to be proud of.

After the Living Flag which was also highlighted by ‘Salsa ‘ dancing (see below) it was a stroll to Osborne Village to listen to music, taste food and continue to celebrate as Winnipeg’s cultural mosaic continued to be highlighted through a diversity of food, clothing and music

 

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From Osborne Village it was a wonderful walk along Assiniboine to the Forks. From the people getting wet in the fountain behind ‘The Leg’ to the sunbathers in the Park. Once at ‘The Forks’ the multi-cultural flavour of the day continued with music and dancers from a variety of cultures.

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The Forks was bustling with excitement at all venues from the Patios to the stages to the skateboard park and of course Scotiabank Stage in preparation for the evening concerts and fireworks. Nothing matches the backdrop of the ‘Human Rights Museum’ set to open sometime next year.

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The heat of the day meant it was time to take a break from the sun and prepare for the excitement of the evening. The concert which ended with the Winnipeg Symphony Orchestra was the perfect way to celebrate all that is Canadian. The final three songs with Imaginary Cities just added to the spectacle of the evening.

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So if you have never had the opportunity to enjoy Canada Day in Winnipeg it certainly is worth a look. Lots of people but everyone is friendly and helpful. Inexpensive food and many two one for one specials on those cold drinks on a very warm day. To be topped off by Fireworks and hearing the happy cheers of the youngest Canadians certainly made it one great birthday party.

 

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Making a Difference for Youth

lime project

Last Sunday I had the opportunity to attend The Rachel Browne Theatre and watch a contemporary dance performance that was created and performed by a couple of students from Knowles Centre.  This production under the direction of Nina Patel founder of The Lime Project Dance Company works with many at-risk youth in hope that the participants will be inspired. Patel says “I hope that those who take part will learn something new about themselves and be excited to do something new, to take a risk and be brave in their lives.” The short but powerful production by the two male dancers brought credence to her words. This is the second year The Lime Project partnered with Knowles Centre and through support by the Manitoba and Winnipeg Art Councils this initiatives with Knowles Centre will continue next year

It is projects like this one that truly bring to life the true realities of Inclusion. When I was working for The Special Education Review Initiative and worked with our team on developing Manitoba’s Philosophy of Inclusion it always was more than just Inclusion for students with special needs into the school system. The key statement for me has always been:

Inclusion is a way of thinking and acting that allows every individual to feel accepted, valued, and safe. An inclusive community consciously evolves to meet the changing needs of its members.

It was during that time that we changed our thinking in education from Special Education to Student Services as it was about meeting the needs of all students. When I was President of the Manitoba Council for Exceptional Children I had the opportunity of meeting a young man named ‘Eddie’.  Eddie was an amazing young man who shared with me that to him Inclusion was for everyone. He said we need to work hard to include those that just don’t feel they fit in. He gave the examples of those students that sit by themselves every recess or noon hour. What are we doing to include them?

There have been many steps forward in our Inclusion of students with special needs in our province. We certainly are not where we need to be but with books like Dr. Jennifer Katz’s “Teaching to Diversity” where we look at a Universal Design Approach to teaching to our outcomes our journey continues.

My concerns are more from a society standpoint. Our students seem to report more often how they are feeling more judged then ever before. They feel judged on what they wear,what they say and basically everything they do. They are inundated with media messages on how they should dress and if they don’t fit into that small mold that our society is creating they just don’t feel safe, valued or accepted. The rise of mental health issues for youth and adults is alarming. I feel and see an increase in the sexualization of woman in our society. The internet is filled with those images of celebrities and what they wear or what they don’t wear. People become famous for how they look rather than the substance of who they are.

It is why something like The Lime Dance Project is so important. It helps youth ground themselves. Allows them to feel themselves from the inside and not just value themselves on what they look like on the outside. Inclusion has never been about a placement but rather it is about a feeling. A feeling the person gets when they are with us and more importantly a feeling they get inside of themselves. A feeling that tells them they belong, they are important and above all they ‘Make a Difference’.

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Where do Retired Teachers Go?

If you have never taken in First Fridays in the Exchange you are missing not only a celebration of the Arts in Winnipeg, but a celebration of all that is great in ‘The Exchange District”, from the restaurants to the great shops and patios. Walking in the ‘Exchange District’ on these ‘First Fridays’ has a great feel. The community is vibrant. By now you are asking what does this have to do with where do retired teachers go.

It started when I went to Gurevich Gallery for the opening of Sue Gordon a Winnipeg artist ethereal encaustic work (her medium is wax). Her ‘Far Country’ exhibit is striking and her use of wax as her medium creates texture and each piece is brought to life through the images she is able to create. She now seeks to tell stories of longing associated with the increasingly disconnected world of social media set against her dramatic landscapes. After enjoying her works of Art, some wine and some excellent conversations with fellow art lovers our stroll took us to discover that the Manitoba Institute of Sculptures and Artists was also open for a showing. Having never visited these artists it seemed only logical to explore this hidden treasure.

This is where I met ‘Retired Teacher’ Jean Bachynsky. She is seen below at the Winnipeg Art Gallery in 2012 with her alabaster statue, Kneeling Figure. She has two of her statues currently at the Hydro Building.

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This former Art Teacher’s sculptures are often characterized by big hands and feet and the use of light. Jean and her fellow sculptures were excellent hosts and shared their journey from a piece of stone to these wonderous works of ART.

A former colleague of mine Merle Klyne has just published his first book under the name C.M. Klyne called The Silent March. I have just ordered this book from Friesen Press. His book was highlighted in CBC News and will be my first read this summer. I worked with Merle many years ago when he taught High School English in Ashern, Manitoba. I know from the passion he put into his teaching that his book will be as the early reviews indicate be moving and full of energy and powerful characters.

There is an expression ‘That those that can’t teach”. These are only two examples of ‘Those that Can Teach’. Teaching to me has always about an opportunity to not only share the knowledge we have acquired but to a larger degree to inspire our students. Having never seen Jean teach but knowing she still takes time to teach students and adults find their artistic passions and having taught with Merle I know that they have not only be able to celebrate their individual gifts with their works but have inspired many others to discover their gifts.

The Silent March cover

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National Gallery of Canada

voice of fire  VOICE OF FIRE BY BARNETT NEWMAN

In 2004 my view and belief in Art changed. I had a mind altering transformation on how I looked at Art, my beliefs of what is Art and what isn’t. In a serendipitous instant I met a Tour Guide at the National Gallery of Canada. It is strange as I had taken a group of 30 Grade 9 students from John Pritchard School to Ottawa and one of our destinations was the National Art Gallery. Before someone thinks you must have had some love for art for you to have the Art Gallery on the agenda of your Field Trip, I was a mere chaperone on a trip organized by another staff member at the school.

As we broke into our mini tour groups, my group was assigned to a tour guide who was about forty and in reality I wish I could remember his name because the impact he had on my thinking was profound. His explanation of the Art, the architecture of the building and the uniqueness of every piece had myself and the group of Grade 9 students with me enthralled. As our tour continued we came across an art piece by Barnett Newman called ‘Voice of Fire’. The National Art Gallery purchase of this piece caused a storm of controversy. Although the painting was done in 1967 for ‘Expo’ it was not purchased by the Gallery for 1.8 million dollars in 1989. It was 1990, however that the news of the purchase hit the public. I remember how my dad was so upset that we would pay 1.8 million dollars for three stripes. So prior to seeing the piece my view of ‘Voice of Fire’ was tainted. That is until my serendipitous meeting with my tour guide.

I walked into the room where ‘Voice of Fire’ was displayed and my mouth opened not in awe but in disbelief. We paid 1.8 million dollars for that. “Give me a brush, I think I am going to be rich”. Then it changed. My tour guide had us sit in front of the painting. He talked about the art work of Barnett Newman, explained about minimalist painters and so on but he then said I want you to be patient. I want you to choose a spot on the painting where two colours meet. Stare at that point. I stared and stared as students started to smile and shout out that is so cool. “Don’t you see it Mr. Hoddinott”.  “Look at the flames!” Finally the tour guide came to me and said softly ‘Look closer, concentrate.” Then it happened a life changing moment. The flames came shooting out of the painting. At first I was shocked then in disbelief I couldn’t understand how that happened. The tour guide gave us all this explanation and to this day I still don’t understand how the flames shoot out of canvas at the meeting place of two colours but they did.

My thoughts on Art, my thoughts of Barnett Newman and the work of minimalist painters also changed. I could at long last appreciate art that was more than just landscapes. Never got to thank the tour guide other than a hand shake at the end of the tour. I think he should get a commission for all the Art I have purchased since then but perhaps if I could just tell him ‘Thanks for opening my eyes, my mind and soul to Art.” Perhaps that would be enough.

See the work of Christine Deckert a Canadian minimalist painter whose Art is calming and soothing. I have one of her pieces hanging behind my desk at work. I know if helps me get through the stresses of the day.

Her work is also available  at Warehouse Artwork at 222 McDermot Ave in Winnipeg, Manitoba.

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Where Danger Lurks

I want to congratulate the Winnipeg Free Press for taking a stand that when we speak of “Free Speech’ that doesn’t mean we can say whatever we want. Use of Social Media and the Internet should also be held to the standards of human decency.  Please read the article found here: Winnipeg Free Press

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I was out on a neighbourhood clean-up with Residents of the Exchange District and in our clean-up I came across a discarded pamphlet for Women in Sexually Abusive Relationships, an empty 2 litre bottle of beer and a Red Danger Sign all on the ground beside each other. The first thought that popped into my head was how ironic and how fitting that those objects lay next to each other. The next thought was to the art of Almeida Garcez and how I wished I could make the political and thought-provoking commentary on the human state he portrays through his art. It got my mind racing to the Victor Walk that former hockey star Theoren Fleury completed just a few short days ago to bring awareness of the epidemic of sexual abuse of children and society’s poor response to punishment of the abusers and support of the healing of the victim.

Fleury went through years of torment and pain trying to recover from the abuse he suffered. The damage long-term on victims of abuse is incalculable. Fleury is attempting to bring awareness to a public that for whatever reason has not fully understood the severity and cost of not coming up with long and short-term solutions to the sexual abuse of children. In my career working with at-risk children and youth who more times often than not have been victims of abuse pay the heavier price through a life time of pain, addictions and inability to develop trusting relationships.

The growth of Social Media has in fact made it easier for those who are wanting to victimize children and made it much more difficult for those of us trying to protect and develop strong and resilient youth. We have so many regulations on our society to protect us but there seems to be little we can do to prevent illegitimate websites and pedifiles from using the Internet to victimize youth. Parents do need to be vigilant in monitoring their child’s computer use but as a society we need to ensure applications like Snap Chat and sites like ASK.FM that create risk to our youth don’t find their way into our children’s hands.

We can’t afford to wait any longer in taking action to look at the complicated issues that are putting our children at-risk. Theoren Fleury indicates that 1 out of 3 girls and 1 out of 5 boys will be victims of sexual abuse. The cost to our society is enormous. Greater though is the cost to each of those individuals if they don’t find the strength and support needed to become Victors like Theoren Fleury to finally overcome the loss of his childhood innocence.

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Andrew Valko

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I certainly am not an art critic or profess to be able to tell people what Art they should buy or like but I know what Art speaks to me. Andrew Valko’s art speaks to me, makes me think and enlightens me. The more I look at his pieces the more I see and the more I become connected to the piece I am looking at.

My first exposure to Andrew Valko was in a picture of ‘Stand Off’. The first part that grabbed me was the eyes. ‘Stand Off’ is part of a Drive-In series of paintings. To me the piece comes alive and as a writer so to speak the more I looked at the painting it continued to tell me a story. Andrew Valko is able to say in his Art what an author spends hundreds of pages trying to say in their book. Through his brush he makes his subjects real. I had a chance to see ‘Stand Off’ briefly before it sold and the photograph did not do the piece justice.

I had an opportunity to see a few more of his pieces and they all have a story to tell.The magic in his pieces like ‘Skype Love’ and ‘This is my Last Chance to Love You” have powerful messages in these brilliant and thought-provoking pieces. Each time you look at his work, there is more to see and his paintings get more interesting as time goes on. His paintings to me will be timeless. Years from now when some one is looking at his work they too will see the life he brings to all aspects of his work. Looking closely at the people in his works it is like you can feel what they feel.

I also admire his ‘Act of God’ series. These charcoal drawings are exquisite and the contrast of the light to the charcoal to the impending tornado like in his ‘Act of God #32’ is magical. Don’t trust me though as I am by no means an Art critic. Go visit his website or better yet drop into a Gallery and see one of his pieces in person and let his work speak to you.

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Chandra Kremski

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CHANDRA KREMSKI – NEW PIECE CALLED ‘TRI’

I had the opportunity to meet a young Canadian Artist named Chandra Kremski. Her work was breathtaking and I found myself returning to see it over and over again. I started to talk to her and it was easy to sense that her work was from a passion inside of her. As I listened to her talk about how she paints and how each piece of her goes into her paintings I knew I needed to purchase one of her paintings.

I had her come to my place and get a feel for my home. In the end as we chatted I left it to her to create a painting from her that I would have the privilege to hang in my home. The piece above creates the passion and calmness found in each of us. If you get a chance visit Chandra’s website. I may be biased but ‘Tri’ is my favorite.

Chandra Kremski is an emerging young artist with a unique talent for bringing colours together in bold and dramatic ways.  Born in Viking, Alberta and raised in Kitchener, Ontario, Chandra recently lived in Yellowknife to broaden her perspective on Canadian culture and find inspiration to achieve new and greater successes on her journey as a professional artist. She now resides in Winnipeg, MB.

“My paintings are statement pieces.  They are bold and confident.  I want people to look at my art and see their own story, feel their own emotions… I want them to be inspired.”

Chandra describes her style as ‘abstract-contemporary’.  Her work makes use of bold colours in a modern abstraction that urges the viewer to draw their own interpretations.  In this way, Chandra connects with the viewer on a highly personal and intimate level.  Her pieces reach into your soul and what they draw out is unique to each individual and experience.

“I create in my home… that is where I find the greatest inspiration to create.  I prefer to paint on the floor because it allows me to interact with the piece more intimately. I walk around the canvas  coming at my painting from different angles, allowing me to achieve the perfect blend of colour.”

As an artist, support and inspiration are the building blocks of creation.  Chandra credits her success to her mother who recognized her artistic abilities and encouraged her to be creative from a young age.  For Chandra, to create art is to connect with herself in a meaningful way.  Through her art, she expresses her passion and love for life with the use of colour, texture and abstract design.

Please visit her website at:  http://chandrakremski.com/

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Jail Baby

There is a play called ‘Jail Baby’ being shown this week at the Asper Centre for Theater and Film at the University of Winnipeg, 440 Colony Street that I was fortunate to be able to attend on Saturday Night.  Jail Baby [ Directed by Ann Hodges, with Nan Fewchuk (Assistant Director) Hope McIntyre and Cairn Moore (co-writers] of how Aboriginal women are the majority in prisons. However it is much more than that. It makes us think about the direction we are moving in our society in our desire to create safe communities.

The play deals with some difficult social issues and is able to bring humour to the powerful message through short skits called ‘Lifestyles of the Poor and Marginalized’. These segments are more a statement of our prison system looking at both the cost and treatment of inmates as a result of our punishment mentality. With over 80% of Manitoba’s prison system being represented by Aboriginal women it is clear that something isn’t working. Everyone of those incarcerated has a story that led them to where they are. Often our discussions lead to supports we can provide them in prison. The so-called rehabilitation aspect of our judicial system. The statistics are clear about the success rates for individuals once they have become involved in our judicial system. Unless we start doing some things differently this cycle will continue. There is not just one solution but in order to bring about change it certainly will take the will of all of us working together.

I certainly have no answers but a strong belief that the long term solutions are at the front end prior to crimes being committed. It is also going to take a cultural shift in our thinking about our solutions to addictions, sexual-exploitation and poverty. I also think as a society we are generally caring but in our efforts to create safe communities we choose to take the easy but more expensive solution of jail.

The play in itself is worth the price of admission with some outstanding performances. However, don’t leave early as the Panel Discussion is interesting and encourages the audience to ask questions to the panel. A young aboriginal woman currently serving a life sentence in Alberta provides some insights into her journey.

I certainly would highly recommend to anyone to see this play and listen to the panel. We need to heighten our awareness and enter into a dialogue about different solutions in order to create a safe and caring society where everyone can be included.

Winnipeg Free Press Review

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The Fates

I am currently working on my second novel and it is called ‘The Fates’. It is a look at the ever elusive search for immortality. The exploration of what each of us would sacrifice if it meant that we could live forever. The change of what each of us value and the role of children in our lives will influence our quest for the determination of a society that continues to value the individual and the mortals in today’s society rather than the inner and spiritual self creates conflict in a society that devalues the basic human characteristics that make each of us unique.

Each day we are faced with decisions of what each of us value and what each of us will fight for. The youth of today are influenced by an increasingly uncontrolled and self-centered ideas about how they should live. The path is being set in our world where through media we are changing culture. ‘The Fates’ at one time may have seemed like science fiction, however with our knowledge of genetics increasing and our belief that immortality can only being obtained through science rather than spiritually or though the legacies we create in making our world a better place for our children. Pierre Elliot Trudeau once said ‘Absolute Power corrupts absolutely’ one can only imagine the results of a society and it’s already declining moral values if we all knew we were living forever and would not have to face the consequences of a life not lived well. Below is an excerpt from my upcoming novel….

Lucina had always enjoyed coming to this island as a young girl with her family. Every summer with her parents they would make the two-hour drive north from Winnipeg to the wondrous natural gifts of Hecla Provincial Park. They would spend two weeks camping and enjoying the miracles of nature. The sandy beaches, the abundant wildlife; from the majestic moose to the magnificent pelican whose extensive wing span awed her as she watched the birds and the Icelandic fisherman in their enormous boats search for the bountiful whitefish, pickerel and jackfish that filled the chilly waters of Lake Winnipeg. She was sure the pelicans always caught more fish than the fishermen in their boats did but it was not a competition. The two great fishermen of the region lived together in harmony helping each other take advantage of Mother Nature’s bounty. Michelle (Lucina’s mortal name) and her parents would walk out to the lighthouse that guarded the rocky shores from wayward sailors during a storm. From the lighthouse at the edge of the town of Hecla they could just make out the outline of Black Island against the horizon. Her father told her of the soft beaches filled with Silica Sand and of the spiritual gifts Black Island possessed. Every year the Anishinaabe would return to Black Island to celebrate their life and thank the spirits for each of their gifts. The Anishinaabe believed this island was a gateway to the spirit world. Black Island was the place where they could seek guidance for their people.

Michelle had begged her father to take her to Black Island. Finally in the summer before she went to University he did. An Icelandic fisherman named Thor Johnassen took them to the island in an imposing wooden York boat. The boat was similar to the ones the Selkirk settlers used when they made their journey from Hudson Bay down the Nelson River to what they thought must have been another ocean upon reaching the mouth of Lake Winnipeg. The shallowness and changeable nature of Lake Winnipeg made its waters very treacherous and unforgiving to the untrained seaman. Her father told her of the many dead sailors who had not respected the power of the water. As they made their way to Black Island the weather as it often did in this waterside community took an unexpected turn. The wind that had remained silent found her voice. The once quiet wind now shouted at the three souls in what once appeared to Michelle to be a huge ship—but now seemed no more than a row-boat as the waves rocked them relentlessly. Michelle overheard Thor tell her father it was too late to turn back and they would need to spend the night on Black Island–if they were lucky enough to reach it. The waves continued to slam against the sides of the boat spraying the three mortals who were squeezing onto the wooden sides of the boat. Michelle remembers feeling powerless as Thor and her father fought hard to keep the boat upright. Tears streamed down her face as for the first time in her life she realized humans die. The thought of no longing being alive terrified her. For when she stared death in the face, she only saw darkness.

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